Saturday, August 30, 2008

WAGONS HO!!

Well, Accent UK have unveiled the new cover art for their 2009 anthology WESTERN...



With art by Kirk Manely, and colour and trade dress by Andy Bloor, the cover is a wrap-around, which you can see in all its glory here.

Following on from ROBOTS (still available to buy - Previews order code: MAR083379 or buy a copy direct from www.accentukcomics.com), the graphic novel features contributions from a mixture of unknown and established talents, including Leah Moore, John Reppion, Dwight McPhereson and Kieron Gillen. And I'm in it, too.


Once again, I'm teaming up with artist Bryan Coyle (with some help from Billy Armstrong) for a trip through a slightly different Wild West in a strip that we had to call...



Yeah, OK, so the title's not great, but the story is.

Honest.

Thursday, August 28, 2008

Aww...


dog
see more puppies

Wednesday, August 27, 2008

Doing their part...


cat
more animals

Tuesday, August 26, 2008

My Life...

Your result for The Director Who Films Your Life Test...

Roger Corman

Your film will be 49% romantic, 17% comedy, 41% complex plot, and a $ 20 million budget.


An action-complex tale about a complex character that is you. Corman was responsible for a very early Jack Nicholson film, 1963's The Terror (Francis Coppola was associate producer), filmed in three days! The actor who plays you will emote complexity like Jack ... maybe Christian Slater or Gwyneth Paltrow. Also, Roger filmed the original Little Shop of Horrors film -- which in the 1980s was the basis for a hit Broadway musical and another film. All his films were shot for mere thousands of dollars, sometimes completed within the week. Roger knows talent, and knows how to keep costs down with complex stories such as your life story. His versions of Edgar Allen Poe stories are considered classics (The Raven, The Pit and the Pendulum), and also directed Deathsport and Bloody Mama in the 1970s. Oh, yeah, man, this guy will make your film a cult classic!

Take The Director Who Films Your Life Test at HelloQuizzy

LOLcats and Star Trek...

It's a match made in heaven...

cat
more animals

Monday, August 25, 2008

Guaranteed to make you smile...

The Super Mario theme tune played on bottles by an RC car.

Oh, yes.


Monday, August 11, 2008

Isaac Hayes, RIP


Sunday, August 10, 2008

Shadow Of The Sun (short story)

I've posted a new... well, actually, an old short story called Shadow Of The Sun on my WordPress blog. It's by no means the best thing I've ever written, and it could use vast amounts of improvements, but I've got a bit of a soft spot for it. So, it's up for anyone who may be interested.

Can't imagine there'd be many...


Just in case there is, though, here's part one of it...




I

Whenever I heard the stories about people who'd lost someone close to them, and how it left a big hole in their life they could never seem to fill, I never really gave them a thought. I always put it down to cliché, them filtering their perceptions and feelings through Hollywood films, using a language, a shorthand, that the silver screen had created to make it easier for us to understand and use.

When it happened to me, I realised what you saw in the movies was only the beginning. They left out the parts about the dark underbelly, when your world becomes full of well meaning friends and relatives, who try to understand your loss, but only succeed in making it worse by reminding you of everything that's been taken out of your life. They can never really understand, no matter how hard you try and make them; all those words you give them are never enough. Then the vultures come out and circle, desperate to see what's been left for them, and when they realise there's nothing, their hollow sense of grief suddenly vanishes and shows the anger and bitterness lurking just underneath the surface. People that never even liked you or had no part of your life come forward wearing pathetic masks of false sympathy and say how terrible it must be for you, thinking they can relate, thinking that in telling you this they can pretend they know what you're going through, and then, having dispensed their good words of kindness, done their self-appointed duty, they vanish back into the world never to be seen again.

After I lost Natalie, that became my world.

Day in, day out, I had people call me, stop me in the street, post letters and cards, come round to our flat (I still can't think of it as just my flat), right up to the day of the funeral. Some of them even had the balls to turn up at the church and talk to her family. But after that, I hardly saw any of them again, and when I did, they didn't always acknowledge I was even there, let alone speak to me.

As time passed, I did the only thing I could do, and learned to live without her. I didn't handle it well. I would come through the door from work expecting her to be curled up on the couch with a book and a warm smile for me; I'd climb into bed and try and wrap my arms around her only to be reminded with a sharp slap that she wasn't there any more and never would be again.

Those first few days were the worst; I'd find myself slumped on the floor, too numb to even cry. It felt like I'd taken a few steps forward but left her behind, like I could just turn around and see her strolling along. I contemplated ending everything, but I couldn't for her sake. She'd never have forgiven me.

So, I began to search for something to help me try and live a little more comfortably with that aching hole Natalie had left, something to help me understand...everything, I suppose, that little bit more.

It took almost a month, but I found it.

Natalie had always had an insatiable passion for the subject of dreaming; she was always fascinated with their meanings and purposes, to the point that she kept dream diaries, her own private logs of her travels in her imaginary worlds. I stumbled across them while I was sorting through her belongings, and found myself being drawn into her worlds and their magic. A part of me told me to pack them away with the rest of her things and leave them alone, but I didn't even listen to it. I sat myself down on the living room floor and began to read through them, looking at her handwriting and letting memories wash over me. I read and read until I fell asleep with her words freewheeling through my mind.

Maybe it was the discovery of those books that prompted me that night, fed some silent command into my waiting subconscious to trigger the events that followed. I honestly don't know, and if I had the choice, I don't think I'd want to know.

I found myself walking through the town where I grew up, the place where I had spent the first twenty or so years of my life. I was wandering aimlessly, past the old store fronts and street signs, never seeing or hearing a thing, not another living person, until I suddenly found myself standing outside the old bookshop at the top end of town. I stopped at the door and stared at the building across the street, another bookshop where the old estate agents offices should've been; it was larger than the one I was outside of, seemed to be more like part of a chain. A poster in the huge window of the first floor held my attention for no reason I could pin down: it pictured a woman in a Victorian-style dress, lying face down on a bare wooden floor. An upturned goblet lay next to her, with a trickle of something red running away from it.

It was then that my eyes - my senses - suddenly began to take everything in, like I had suddenly regained control of my body. I turned around to find myself standing in a place both alien and yet achingly familiar to me. I didn't recognise the town at all: it was somewhere...else. Not the place where I had grown up, some other town I had never set foot in before. As I stood staring at the mixture of modern brick and old stone buildings around me, an overwhelming sense of familiarity began to pour steadily through my mind, slowly drowning everything else out.

"I've been here before," I said to myself.

"Yes," someone said. "You have."

Click here to read the rest...

Copyright © 2008 Lee Robson

Thursday, August 07, 2008

Some More From Ian Cairns' Sketchbook...

Here's a couple more pages from Ian Cairn's sketchbook...




That last image, of the man behind bars, has a special resonance for me, as it's based around an old script of mine.

More LOLcats...

cat

LOLcat Alert!!

cat

Wednesday, August 06, 2008

Something From Ian Cairn's Sketchbook...

Last week, I attended a memorial service for my friend Ian Cairns. Not only was he a sweet, lovely guy, he was also an incredibly talented artist who knew more about comic art than I could ever hope to learn in my lifetime. He was a fan and student of the greats of the medium: Kirby, Steranko and, of course Alex Toth, his hero. What he couldn't tell you about the art techniques employed in modern comic art wasn't worth knowing.

Unfortunately, I haven't been able to get my hands on any of his sequential work to post here, but I've managed to find some pieces from his sketchbook, which I wanted to share...